This summer I had the pleasure and the honour to travel to Onitsuka Tiger’s hometown of Kobe and interview five of the men responsible for the founding of the brand and its early growth. From the birth of some of our most iconic products to the design of the logo script, I got to hear so many first hand stories about where Onitsuka Tiger comes from, which will hopefully play a big part in where we’re going.

Please take some time to view the first episode of the series we worked on in Kobe, “Roots,” which explores the connection between Onitsuka Tiger and Kobe.

Thanks also go out to Ian Lynam, the team at AQ, Toshiki Senuoe and the ASICS team at Headquarters for helping this come together.

Greatest. Face Off. Ever.

This is why HBO’s Face Off was created.
It takes so little effort to sell a fight when there is so much enmity between the fighters.
If this was scripted drama, all three men would deserve some type of short-form Emmy, that’s how well this 15 minute conversation encapsulates complexity of the rivalry between Miguel Cotto and Antonio Margarito.
I’m challenging myself to think of a more perfectly cast rivalry and I honestly cannot. Nowhere else in sports will you find two men so capable of bringing out the best and worst in each other inside and outside the ring.
While their rivalry isn’t as storied as some of the more revered series the sport has produced, it fulfils the core element that makes any boxing rivalry great; the almost romantic codependence between two men whose personalities and skill sets complement each other to the point of creating a contrast that can create legendary fights inside the ring, and the type of interactions outside of the ring that become part of boxing’s rich canon of lore. Read the rest of this entry »

I’ll upload real images once I get back to Amsterdam and can upload the photos and video from my camera

Capping off an incredible homecoming weekend, I was lucky enough to attend the second stop of the Watch the Throne tour at the Greensboro Coliseum in Greensboro, North Carolina. Even with the high ticket prices, pretty much everyone I talked to this past week was buzzing about the concert, by bringing together two of music’s living legends on one stage, “The Throne” had created a “be there” moment; either you were talking about what you hoped to see, or what you expected to miss out on.

I wasn’t overwhelmed by Watch the Throne the album, I think it will come to represent a significant change in how hip-hop music is produced, recorded and arranged in years to come, however at times I–like many others–was alienated by the number of luxury rap references and toasts to opulence. That said, I was excited to see how two of rap’s best performers, could bring their deep catalogues and enormous production budgets into a single show.

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Japan: Yoshida-san

Our last interview for the GENTEN project was with the man arguably closest to our Founder, Kihachiro Onitsuka. Before joining what was then called Onitsuka Corp, Yoshida-san served as one of the most senior members in the Japanese Athletics Association, working with Japan’s best athletes and coaches. In Japan, working directly under a high-ranking official is seen as an extreme honour, so Yoshida-san’s move from leading the JAA to working as Onitsuka-san’s executive assistant was in many ways a promotion.

Dapper, gregarious and energetic, Yoshida-san immediately lit-up the room when he arrived on our makeshift set at the Onitsuka Tiger Planning office in Tokyo’s Harajuku district. I can’t lie, I’m planning to steal his entire style, his Savile Row-tailored suit, Henry Poole suspenders, linen pocket square, and especially his pocket watch all blew me away. The man had style and carried himself like a classical gentleman at all times.

Yoshida-san's watch next to mine

Yoshida-san worked with ASICS and Onitsuka Tiger from 1969-2009 and in his 40 years of service, he got to see the greater part of the brand’s evolution as a high-perfomance, high-technology sports brand, and it’s rebirth as a sports fashion brand. At Mr. Onitsuka’s side during every business trip and major decision, there wasn’t much that he missed during his tenure. Amongst the standout stories from our talk was the development of the Kirimomi-sakusen philosophy. Literally “The Spinning Drill Tactic” this was an idea born when the Russian Olympic wrestling team refused to wear Onitsuka Tiger shoes because at the time, the company didn’t create any apparel or equipment to go along with their footwear. Under the guidance of Onitsuka-san—who was inspired by a nameless, but hilariously pronounced Italian fashion brand—the team began creating products with a laser-like focus that recalled the traditional kiri woodworking tool, which creates a pinpoint hole by being spun in place.

Mr. Onitsuka in the 80's

Yoshida-san’s energy vacillated throughout the day. At times he was thoughtful and reverent, as when he discussed Mr. Onitsuka’s leadership style and unique ability to adjust his internal clock to any time zone in a matter of minutes and at other times he was bubbly and giddy.

The Onitsuka Tiger Marathon Anthem

I’m not sure if it had to do with nerves, excitement or a mixture of both, but from the moment he stepped into the make-up chair, he started singing, and pretty much never stopped. Singing, not humming, not mumbling, but full-bodied singing, singing songs written to welcome tourists as they arrived at Japan’s major airports, traditional Japanese soul songs, and most important, the Onitsuka Tiger Marathon Anthem. The Marathon Anthem was written as a rallying call for runners before they began a marathon, that was sung in the 1970′s and 80′s across Japan. Yoshida-san was more than happy to give us his best rendition, and it was awesome.

This interview was bittersweet to say the least, while it was one of the more comfortable and fun parts of the process, it actually signalled the end of my project in Japan, which came with a heartbreaking realisation. Reflecting on the trip now, I’m extremely grateful for this opportunity, and at the same time, feel the burden of telling all of these stories in an honest way.

More photos below, and more to come.
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RIP, Steve

Wise words from a decent man.

Japan: Tokyo Overload


(All photos from my Instagram)

Tokyo is a special city. Exhausted from our whirlwind week in Kobe, I slept most of the 3-hour train ride. When our train arrived at Shibuya station, overwhelmed by bright lights and loud sounds, I felt like I had awoken on an alien planet.
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Japan: Kimihara-san

After dealing with Inohara-san’s endless energy, our third day of shooting had a completely different feel and pace. My last interview subject in Kobe was one of Onitsuka Tiger’s most heralded athletes, Kenji Kimihara. Despite his many accomplishments, Kimihara-san was humble and quiet, he arrived with his son and grandson and he exuded a nervous energy that was striking considering that, as a Silver medalist and the winner of multiple marathons, I was sure he had done his share of press and interviews.

Through some bizarre twist of logic, this man was nervous to speak to me. An athlete of the highest order who, well into his 60′s still runs at least one marathon a year was nervous about being interviewed by a relative pup like me. Feeling that I should be more nervous than him, I suddenly found myself in a feedback loop of nervousness, his nerves amplifying mine. What resulted was a jittery, sweaty palmed performance of pleasantries on my part in our makeshift green room that did nothing to calm either one of us down.

I was honestly prepared for a horrendous day of shooting, until the cameras actually started rolling and we got into the flow of the interview. Once Kimihara-san was able to speak candidly about his experiences with Onitsuka Tiger leading up to his triumph at the 1968 games, his nervousness melted and gave way to a more easy going energy as he recounted the customisations he made to the shoes that he wore to a silver medal finish in Mexico City. Working hand-in-hand with our product team, Kimihara-san was the catalyst for many of the developments seen in the MAGIC RUNNER pictured above. The holes he cut in the shoes to prevent blisters would give birth to our first ventilation system for runners, where the removal of fabrics on the heel tab and ankle support led to a reduction in the weight and stiffness of the heel of the shoe that made it lighter and more form fitting.

Having already spoken to part of the development team that had worked on the MAGIC RUNNER and other shoes from that era, it was interesting to get the perspective of the athlete whose professional life literally hinged on the product’s ability to perform under duress. Looking at his heavily customised samples, it was clear that Kimihara-san shared Sakaguchi- and Inohara-sans’ view that the product could always be better, and by “better” I mean more efficient, and more practical.

One thing I started to take away from these meetings was Onitsuka Tiger’s early fixation with being The Best. I don’t speak Japanese but the word Ichiban (number one) came up over and over again in each interview. In the West, there is a tendency to paint Asian cultures as demure and humble, but the men I got to meet with in Kobe all seemed obsessed with being the best: the best athlete, the best product designer, the best brand, the best, number one, ichiban. Kimihara-san was a great example of the dichotomy at play in that fixation. On the one hand, he was quiet and nervous at the prospect of being interviewed about his achievements, on the other, his youth was spent in pursuit of the loftiest of goals, and he had no shame admitting he wanted nothing less than Gold.

Kimihara-san and the products he helped create were cited more than once as examples of the idea of Choujyu-saksusen literally “The Summit Tactic.” As one of the core principles of the brand, Choujyu-sakusen could most easily be definited as the idea that starting from the top will yield better results and deepr learning than starting from the bottom. By focusing on making the best product for the best athletes, the brand was able to grow quickly in terms of technology and reputation, much faster than they would have if they had focused on making products for the mass market with the goal of cashing out immediately.

After his gracious interview, we bid adieu to Kimihara-san and to Kobe, as I traveled with the crew to Tokyo for our last week of shooting and our final interview.

More to come.

Japan: Exploring Kobe

Some photos from around Kobe, taken with my iPhone and Ian’s 5D that he let me borrow. Kobe is the rare type of city that manages to be quaint and cosmopolitan at the same time. The people are extremely polite and considerate, and the shopping, especially the vintage shopping is insane.

The Vinyl Chamber

Bingo Vintage Store

T-Shirts at Bingo!

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Japan: Gems from the Museum

Original OK Basketball Shoe from 1950

While I was in Kobe, I got the chance to check out the ASICS Sports Museum, these are some of the pieces on display there, but barely the tip of the iceberg.

Marathon Tabi from 1953

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Japan: Inohara-san pt. I

The Octopus Suction Sole

Our second day of interviews featured the only Legend on our schedule who is actually still an active employee at ASICS. At the age of 64, Inohara-san continues to consult the team at Head Quarters as well as maintaining his duties as Shoe Master of the ASICS museum which holds some pretty amazing pieces from every era of the brand’s history. Before our interview began, Inohara-san decided to give us a guided tour of the museum from top to bottom, adding a lot of personal stories behind the development of some key pieces.

Original Tiger Cortez (taken on Instagram)

Runspark worn by Lasse Viren during Olympic win

Walking through the museum unaccompanied the day before, we got to see the number of Athletes who achieved great victories in our shoes from current stars like Ichiro Suzuki and Hozumi Hasegawa to icons of the past like Yukio Kasaya, who’s record-breaking Gold Medal win in Sapporo launched Onitsuka Tiger to international fame. As eye-opening and impressive as it was to take in the sights at the museum, the experience was exponentially deepened by Inohara-san’s presence.

Even after spending more than half a century at the company, he was still extremely enthusiastic and lively as he gave us a tour of the products that he and his predecessors had worked on. Trying not to appear jetlagged, I genuinely envied his energy level, at one point he actually sprinted to his office and back to fetch a business card at a speed that would be striking for a 30-year-old, but almost ridiculous for a 60-year-old.

Inohara-san’s energy and charm made the day an easy one, his eagerness to share his insight on the product development process and on the development of the company’s culture was infectious and despite the language barrier had the assembled crew breaking out in laughter. A natural teacher, Inohara-san shared stories boisterously and easily, but I was affected by his humility and reverence for Onitsuka-san.

When asked what kept him motivated to continue working with the company after 45 years, Inohara-san reflected and responded that even 4 years after our founder’s passing, he was motivated by his desire to exceed Onitsuka-san’s expectations. Walking through Onitsuka-san’s still-maintained office, he stood in the spot where he was often admonished by his mentor and told us about his mentor’s uncommon ability to visualise a product’s final form upon seeing the earliest design sketches. In liberal strokes of red pen, Onitsuka-san would often send Inohara-san back to the product lab with heavy feedback, and recommendations. To this day, those strokes of red pen keep Inohara-san’s standards incredibly high as he continues to consult the team at head quarters. Working in the shadow of a giant is not an easy task for anyone, but the culture of focus, and craftsmanship that was cultivated in that shade may be Onitsuka-san’s greatest legacy.

Trying on a pair of Astronaut shoes, they went to space. No, really.